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Frisian Style: An Otherworldly Former Hay Loft Transformed in the North Sea

Fohr House by Karin Matz and Francesco Di Gregorio Exterior

Noted recently: A former hay loft in a farmhouse on the small island of Föhr (technically belonging to the Nordfriesland district of Germany) in the North Sea. Architects Karin Matz of Sweden and Francesco Di Gregorio of Italy took their cues from traditional Frisian style: think shades of blue, a nod to nautical design (that comes from the island’s history as a center of navigation in the 17th century), wood-lined rooms, and small, dark bedrooms called “bed boxes” that feel distinctly like ships’ cabins. Here’s their modern take.

Photography courtesy of Francesco Di Gregorio.

Fohr House by Karin Matz and Francesco Di Gregorio Exterior
Above: The farmhouse is in the traditional Frisian style, thatched roof included.
Fohr House by Karin Matz and Francesco Di Gregorio Dining Room
Above: The duo started by taking down most of the interior walls to create a long, open kitchen/dining/living space, divided by a rope-lined staircase and lined in light wood.

Inspired by the blue and white Frisian tiles traditional on the island, the designers installed a statement-making update (on a budget): 3,200 simple white tiles with holes hand-drilled (by the architects and the client), allowing powder blue cement to show through and create a pattern of dots. “It becomes the central wall going through and unifying the space,” the architects say.

Fohr House by Karin Matz and Francesco Di Gregorio Kitchen
Above: The small kitchen features pale wood cabinets with open under-counter shelving on one end.
Fohr House by Karin Matz and Francesco Di Gregorio Dining Room
Above: The light-filled dining area.
Fohr House by Karin Matz and Francesco Di Gregorio Stair
Above: In an effort to keep the space open—and with a nod to maritime design—the staircase is bordered by 500 meters (1,640 feet) of blue polypropylene rope. (For more like this, see Netscapes: 9 Stairwells with Nautical Enclosures and Rails.)
Fohr Translucent Doors by Karin Matz and Francesco Di Gregorio
Above: Translucent doors lead from the living area to the small interior bed boxes, and make the most of the natural light that comes in through the slanted roof.
Fohr House by Karin Matz and Francesco Di Gregorio Living Area
Above: In the living area, the color palette evokes the building’s history as a hay loft.
Fohr Living Area with Tiled Wall by Francesco Di Gregorio and Karin Matz
Above: The bright living area, beams included. Look carefully on the tiled wall and you can see the small punch-out window that lets light in to one of the bed boxes.
Fohr House by Karin Matz and Francesco Di Gregorio Hallway
Above: The entry to one of the bed boxes.
Fohr House by Karin Matz and Francesco Di Gregorio Box Bed
Above: Inspired by Frisian bed boxes that are “small, dark, and all the same size,” the bedrooms have wood-paneled floors, ceilings, and walls, all painted blue. They’re “private, like nests,” the architects say. (For more on ship-inspired wood paneling, see Remodeling 101: The Ultimate Wood Paneling Guide with Jersey Ice Cream Co.)
Fohr Bed Box by Karin Matz and Francesco Di Gregorio
Above: Though the bed boxes are small and intentionally dark, windows let in natural light during the day. Even the corner sconce is painted blue.
Fohr House by Karin Matz and Francesco Di Gregorio Box Bed
Above: Built-in shelves and cabinets under the bed add storage to the small space.
Fohr Bed Box by Karin Matz and Francesco Di Gregorio
Above: A twin bed box, with a small cutout window looking to the living area outside.
Fohr Bed Box by Karin Matz and Francesco Di Gregorio
Above: A window in the eaves. (For more of our favorite blue paints, see Palette & Paints: Coastline-Inspired Blues.
Fohr Thatched Window by Karin Matz and Francesco Di Gregorio
Above: Frisian charm: A window cut into the thatched roof.
Fohr House by Karin Matz and Francesco Di Gregorio Exterior
Above: In the evening.
Landscape of the Island of Fohr Landscape by Francesco Di Gregorio
Above: Despite its quiet landscape, the island is exposed to the elements and at the mercy of the sea: “Föhr is very much in the hands of natural forces,” the architects say. “The area has a big tide. When the water is low you walk over to other islands. To protect the island, manmade grass walls surrounds half of the island.”
Landscape of the Island of Fohr Landscape by Francesco Di Gregorio
Above: A beach, in fog.

N.B. The home is available to rent; see Urlaubs Architektur for more.

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